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MEETINGS FOR 2009-2010 Monday 28 June 2010 |
This
is a once-in-a-lifetime opportunity to see the actual workshops where Michel Eugène Chevreul conducted his famous experiments on simultaneous colour contrast with dyed textiles, which led to the publication in 1839 of his book De la loi du contrast simultané des couleurs. These workkshops have never before been open for a tour or scientific meeting. |
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| The Manufacture
des Gobelins was founded as a dye works in the mid-15th century by Jean
Gobelins. In 1662, Louis the XIV purchased the Gobelins and Jean
Colbert united all the royal artisans to create a royal tapestry and
furniture works. Charles Le Brun was director and chief designer from
1663 to 1690. The Gobelins was temporarily closed from 1694 to 1697,
after which the works specialized in tapestry and the dyestuff workshop
was then established where is it still located today. The most famous director of the dyestuff workshop was the chemist Michel-Eugène Chevreul (1786-1889: see RIGHT) who worked on quality improvement of natural dyes for nearly sixty years (from 1824 to 1883) and was at the same time director of the Museum National d’Histoire Naturelle (from 1836 to1879). Chevreul’s dedication to colour research went beyond matters of organic chemistry as he soon realized that human perception was a key factor in the harmonious matches of colours in paintings, tapestries, furniture, carpets, mosaics, stain glasses, printings, illuminations, architecture, fashion and horticulture. His name is today associated with the law of colour contrast and the development of his hemispheric colour nomenclature, which is at the origin of the modern N. I. M. E. S. colour system developed for the exclusive use of the Gobelins tapestries. The factory, which is still in operation as a state-run institution for the sole benefit of the state, will open for the first time to the public the dyestuff workshop and the N.I. M. E. S Colour Chart. Together with the visit fo the looms, on which tapestries are woven following seventeenth century techniques, this visit provides a unique opportunity to appreciate the process involved in the transcription of art works into tapestry. |
photo: Félix Nadar/Arch. Phot
© C. N. M. H.
S - 01886 |
| 14:00-14:10 |
Openning
session Work on colours at the Muséum National d'Histoire Naturelle: a pluridisciplinary tradition Françoise Viénot Centre de Recherche sur la conservation des collections Muséum National d’Histoire Naturelle - Paris |
| 14:10-
14:55 |
Chevreul at the Gobelins: The discovery of the law of simultaneous contrast of colours and its consequences Georges Roque Centre de Recherche sur les arts et le language L’Ecole des Hautes Etudes en Sciences Sociales - Paris |
| 14:55-15:40 |
Dyeing with natural dyes: a long, global
history Dominique Cardon Directrice de Recherche CNRS, CIHAM/UMR 5648, Lyon |
| 15:40-16:15 |
Halstead-Granville Tea |
| 16:15-17:00 |
Natural dyes Anne de la Sayette CRITT Horticole Centre de Ressource Technologiques – Rochefort –sur-Mer |
| 17:00-17:45 |
Colour Forecast Dominique Peclers Paris |
| 17:45-17:50 |
Concluding remarks & end of the meeting Andrew Hanson Chairman of the Colour Group (GB) National Physical Laboratory- Teddington |

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Last Updated 6 April 2010